Film Archive 2003
| BIGGIE AND TUPAC |
| 011003 |
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| In 1997, rap superstars Tupac Shakur and Christopher Wallace (aka Biggie Smalls, the Notorious B.I.G.) were gunned down in separate incidents, the apparent victims of hip hop's infamous east-west rivalry. Nick Broomfield's film introduces Russell Poole, an ex-cop with damning evidence that suggests the LAPD deliberately fumbled the case to conceal connections between the police, LA gangs and Death Row Records, the label run by feared rap mogul Marion "Suge" Knight. |
| EROTIC TALES |
| 011003 |
| UO cultural forum series. |
| STANDING IN THE SHADOWS OF MOTOWN |
| 011703 |
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| In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers. |
| NICHOLAS NICKLEBY |
| 012403 |
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| Writer-director Douglas McGrath indulges his taste for the classics again, having made his feature film debut with Jane Austen's EMMA (1996), then changing pace with an underrated original comedy COMPANY MAN (2000), and back again with Dickens's classic NICHOLAS NICKLEBY. Common Dickensian themes of poverty, social class, and honor come across clearly in this tale of a 19-year-old country gentlemen (Charlie Hunnam) who is suddenly impoverished when his beloved father dies after losing his fortune. Nicholas, with his mother (Stella Gonet) and sister Kate (Romola Garai), find themselves at the mercy of their rich, loutish uncle Ralph Nickleby (Christopher Plummer) who delights only in their misery. He sends Nicholas away to work as a teacher at Dotheboys Hall, a decrepit boarding school attended by sad, soiled, abused urchins. Meanwhile, Kate's reputation is at stake with uncle Ralph trying to marry her off to a foulmouthed client to whom he owes a debt. With the help of his faithful sidekick Smike (Jamie Bell), Nicholas avenges Kate's honor and conspires with some new friends to bring down horrid uncle Ralph. |
| THE PIANIST |
| 013103 |
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| Roman Polanski's THE PIANIST is based on the memoirs of the talented pianist Wladyslaw Szpilman (Adrian Brody), a Polish Jew, who miraculously survived World War II. The first half of the film transports viewers to 1939 Poland, and brings it to life clearly and believably. Szpilman is a tall, handsome, winsome man who is revered for his piano performances on public radio. He lives with his family--an intelligent, loving, and spirited bunch--in an upscale flat in central Warsaw. Bombings have begun to torment the citizens of Warsaw, and step by step, the Nazis infiltrate, the Jews are branded and set apart from their neighbors, imprisoned in a ghetto, and slowly exterminated. The story is told through Szpilman's eyes, and thus carries as much confusion and fear as disgust and torment. Polanski paints Warsaw in bleak shades of gray and black, expressing the helplessness of the Jewish people and the cruelty of the Nazis with captivating photography. In the second half of the film, which takes place in the early 1940s, Szpilman is alone, having managed to avoid the trains to the death camps. His struggle to survive, with some help from non-Jews but mostly his own will to thrive, takes place in long, silent, languid stretches filled with the imagined piano music that inspires Szpilman to live. In a climactic scene of immense beauty and spine-tingling tension, Szpilman must actually perform for a German soldier who is inexplicably patrolling the near-deserted and utterly dilapidated Warsaw ghetto. THE PIANIST, in the subtlety of its sublime and heartbreaking tale, is carried by the intensely moving performance of Brody, whose transformation is truly unforgettable. |
| SOLARIS |
| 020703 |
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| Upon arrival at the space station orbiting an ocean world called Solaris a psychologist discovers that the commander of an expedition to the planet has died mysteriously. Other strange events soon start happening as well, such as the appearance of old acquaintances of the crew, including some who are dead. |
| REAL WOMEN HAVE CURVES |
| 020703 |
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| Ana (America Ferrera) is a beautiful Mexican-American girl who has just completed high school. Living in East L.A. with a hardworking blue collar family, Ana's graduation from an upscale school in Beverly Hills is heralded as a huge accomplishment. At least, that's the way her English teacher and mentor, Mr. Guzman (George Lopez) sees it. He would like Ana to apply to college as he feels that she is a smart and talented student. But Ana's deeply traditional mother, Carmen (Lupe Ontiveros), insists that she stay at home and help her sister working in a dressmaking factory. Ana is strong-willed and sometimes defiant, but she accepts her mother's instructions and works at the factory, simultaneously applying to Columbia University. The sweatshop that her sister operates opens Ana's eyes to the injustices of business. She sees how her sister is mistreated and underpaid by the Bloomingdale's executives who have contracted her to make their dresses. Dresses that cost the factory $18 to make are sold at Bloomie's for $600, and Ana questions where all that money goes. She also awakens her mother, sister, and coworkers to the idea that they are more than just pretty pictures or wives or mothers--they are real people with a lot to offer and they shouldn't be mislead by the body image promoted by stores like Bloomingdales that mass-produce clothing in small sizes for thin women. In the end, Ana learns a lot about herself, her family, and even romance, on her way to seeing herself as a woman. This beautifully filmed, sweet film is directed by Colombian-born Patricia Cardoso, and highlights the superb talent of 17-year-old Ferrera in the role of Ana. |
| TALK TO HER |
| 021403 |
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| Marco, a journalist grieving for a love affair that ended ten years' ago, falls in love with Lydia, a bullfighter also on the rebound. Benigno, a nurse, dedicates his life to his only patient, a young dancer in a coma as a result of an accident four years' before; he talks to her, reads to her, holds photographs in front of her closed eyes. When Lydia is brought comatose to the hospital where Benigno works, he and Marco become friendly, and the nurse encourages the journalist to talk to her and hope for a miracle. Marco is Sancho to Benigno's Quixote, and as Benigno's hopes for his patient become fantasies, Marco tries to inject reality. Does a miracle await? |
| BUFFY THE VAMPIRE SLAYER |
| 021403 |
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| Buffy is the bubbly blonde reincarnation of all those fearless vampire slayers of yore--or so she is told one day by a mysterious old man in a trench coat. Against her better judgment, she follows the would-be boot-maker to a graveyard, where she is tested in combat by a gruesome pair of newly minted bloodsuckers. Of course Buffy emerges victorious, but this ordeal is only the beginning of a series of deadly and protracted battles with the evil vampire Lothos and his legion of undead warriors. The spunky cheerleader may be L.A.'s only hope for survival. |
| 25TH HOUR |
| 021403 |
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| Spike Lee's bracing adaptation of David Benioff's novel is a vibrant, vital motion picture. Edward Norton plays Monty Brogan, a harmless drug dealer who has 24 hours of freedom before serving a seven-year jail sentence. Nervous, confused, and terrified, Monty turns to his closest friends for support: Frank Slattery (Barry Pepper), a cocky stock broker who resents Monty for throwing his life away; Jakob Elinsky (Philip Seymour Hoffman), a hapless high school teacher who is attracted to one of his students (Anna Paquin); and Monty's heartbroken father (Brian Cox), who blames himself for Monty's demise. And then there is Naturelle (Rosario Dawson), Monty's beautiful girlfriend, who may or may not be guilty of ratting Monty out to the cops. Monty spends his last day trying to ignore the inevitability of time, but everyone and everything only reminds him of the bleak, unpromising days that lay ahead. |
| SPIKE AND MIKE'S SICK AND TWISTED |
| 022103 |
| spike and mike's animation festival. grossness and lewdness. fun and vomit. |
| RABBIT PROOF FENCE |
| 022803 |
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| Set in Australia in 1931, RABBIT-PROOF FENCE tells the story of a government policy that required "half-caste" children (whose mothers were Aboriginal and whose fathers were white) to be taken from their homes by the authorities to be trained to work as servants. Based on the true story of Molly Craig, Philip Noyce's film of small gestures and few words follows the odyssey of three young girls who escaped from the government's training facility and, using the country's long stretches of rabbit-proof fences as their guide, walked 1500 miles to get back home. |
| DAZED AND CONFUSED |
| 022803 |
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| Richard Linklater's DAZED AND CONFUSED takes a hysterical, nostalgic cross-clique look at high school social development. On the last day of school in May 1976, students at a suburban Texas high school wait, lackadaisically, for classes to end. The restless almost-seniors--an eclectic group of stone-heads, fraternal jocks, and snobby sorority girls--can't wait to haze the incoming freshman, an annual event as harrowing for freshman boys as it is humiliating for girls. Amidst this teenage wasteland of drugs, partying, and rock and roll is football star Pink (Jason London), who saves scrawny pre-frosh Mitch (Wiley Wiggins) from being paddled to oblivion by upper-classmates. But Pink has his own battles: he's struggling over the head coach's demand that football players sign a pledge to abstain from sex and all psychoactive substances. When a wild end-of-the-year party is cancelled, the students end up congregating at a beer-blast in the back woods, organized by aging hang-about Wooderson (Matthew McConaughey). In the same way that George Lucas assembled a cast of fresh young faces for AMERICAN GRAFFITI, Linklater here creates an unforgettable cast of characters that are immediately familiar to anyone who has ever been through high school. |
| THE QUIET AMERICAN |
| 030703 |
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| Set in Saigon, Vietnam, in 1952 during the French Indochina war, THE QUIET AMERICAN is based on the mystery story by Graham Greene, and directed by Phillip Noyce. A middle-aged British reporter for the London Times, Thomas Fowler (Michael Caine), has been working in Vietnam, covering politics and enjoying the local culture. He lives with a beautiful young woman, Phuong (Do Thi Hai Yen), a taxi dancer who he rescued from that undesirable profession. He cannot marry her, because he is already married to a Catholic woman in London who does not believe in divorce. But he truly loves her. When a young American doctor, Alden Pyle (Brendan Fraser), falls in love with Phuong, threatening to take her from Fowler, everything changes. Not only is Fowler's romantic life put in danger, but he begins to uncover disturbing information about the U.S.'s involvement in the war. |
| WILLY WONKA AND THE CHOCOLATE FACTORY |
| 030703 |
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| A wry and amusing musical about a world famous candymaker who hides five golden tickets in candy bars for five lucky children. Young, good-natured Charlie (Peter Ostrum) wins one of the tickets hidden amongst thousands of Wonka chocolate bars. What have Charlie and the other four kids won? A tour through Willy Wonka's chocolate factory, led by the loveable, eccentric, but often mean-spirited Wonka (Gene Wilder) himself. The factory itself is like a fantasy world: crazy color schemes, wild inventions, secret rooms, busy oompa-loompas, and lots and lots of delectable sweets. But Wonka has a hidden agenda, and during the tour he tests each child's character and honesty. Based on Roald Dahl's children's book "Charlie and the Chocolate Factory." |
| DONNIE DARKO |
| 031403 |
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| During the presidential election of 1988, a teenager named Donnie Darko sleepwalks out of his house one night, and sees a giant, demonic-looking rabbit named Frank, who tells him the world will end in 28 days, 6 hours, 42 minutes, and 12 seconds. He returns home the next morning to find that a jet engine has crashed through his bedroom. As he tries to figure out why he survived and tries to deal with people in his town, like the school bully, his conservative health teacher, and a self-help guru, Frank continues to turn up in Donnie's mind, causing him to commit acts of vandalism and worse. |
| EL CRIMEN DEL PADRE AMARO |
| 031403 |
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| Gael Garcia Bernal (Y TU MAMA TAMBIEN, AMORES PERROS) stars in EL CRIMEN DEL PADRE AMARO, a controversial drama that was a box office smash in its native Mexico. Directed by Carlos Carrera, the film tells the story of a young priest who succumbs to temptation and corruption. Father Amaro (Bernal) is a handsome 24-year-old who has recently been assigned to a new church in Los Reyes. Upon arrival, he discovers that his mentor, Father Benito (Sancho Garcia), is having an affair with a local restaurant owner, Sanjuanera (Angelica Aragon). At first shocked, Father Amaro soon finds himself in a moral predicament of his own. Amelia (Ana Claudia Talancon), Sanjuanera's 16-year-old daughter, is a gorgeous teenager who falls deeply in love with the tempted priest. Before long, Father Amaro and Amelia are entangled in a steamy relationship, further testing the young priest's moral fiber. Based on the classic Portuguese novel by Eca de Quieroz, Carrera's film is a scathing indictment of the hypocrisy and corruption that has plagued the Catholic church from its inception. As the confused and conflicted priest, Bernal delivers another magnetic performance, cementing his status as one of Mexico's hottest superstars. |
| EVIL DEAD 2 |
| 032103 |
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| In this sequel-remake of the original EVIL DEAD, a group of people are trapped in a cabin while ancient evil lurks outside and threatens a fate worse than death. Can brawny wiseguy Ash save the day, or will his dead girlfriend come back to cause more trouble? An influential comic horror movie from director Raimi. |
| OSCAR PARTY |
| 032303 |
| the bijou's annual presentation of the academy awards on the big screen!! |
| THE WAY HOME |
| 032803 |
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| This subtle and bucolic Korean film is "dedicated to all grandmas" by its director Jeong-hyang Lee. The story concerns bratty, selfish seven-year-old Sang-Woo (Seung-Ho Yoo) who is sent out into the mountains to live with his ancient, mute, partially deaf grandmother (Eul-Boon Kim) while his stressed-out single mom looks for work back in the city. Angry and resentful, the boy is bored with his new life of simple food, sleeping on the floor in a one-room hut, and having nowhere to buy batteries for his dying handheld video game. Eventually Grandma's humble patience and unconditional love get through to him, and there's plenty of space for comic vignettes and moving moments of stillness along the way. The boy's hyper world of candy and toys contrasts with grandma's slow, natural environment and allows for contemplation on our rapidly changing culture. This is the second film from Ms. Lee, whose cast consists largely of inexperienced locals from the village where she shot the film. Eul-Boon Kim is a particularly amazing discovery as the grandmother; she had never even seen a movie before being cast. |
| THE TRIALS OF HENRY KISSINGER |
| 032803 |
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| THE TRIALS OF HENRY KISSINGER, a documentary based on the book by British journalist Christopher Hitchens, argues that Kissinger, the former U.S. Secretary of State and the recipient of the Nobel Peace Prize, was a power-hungry warmonger responsible for massive military cover-ups in Vietnam, Cambodia, and East Timor in the 1960s, as well as the assassination of a Chilean leader in 1970. The film includes interviews with historians, political analysts, and such notable journalists as the New York Times' William Safire--a former speech writer for Richard Nixon. In addition, it uses archival footage from the Nixon era, including coverage of events both in Washington and in Vietnam. With narrator Brian Cox guiding the flow of the film and keeping it tightly focused on its arguments, THE TRIALS OF HENRY KISSINGER is shocking in its political revelations and fascinating in its portrait of Kissinger. It was directed by Eugene Jarecki and written by Alex Gibney. |
| DR. STRANGELOVE |
| 032803 |
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| U.S. Air Force Colonel Jack Ripper goes completely and utterly mad, and sends his bomber wing to destroy the U.S.S.R. He suspects that the communists are conspiring to pollute the "precious bodily fluids" of the American people. The U.S. president meets with his advisors, where the Soviet ambassador tells him that if the U.S.S.R. is hit by nuclear weapons, it will trigger a "Doomsday Device" which will destroy all plant and animal life on Earth. Peter Sellers portrays the three men who might avert this tragedy: British Group Captain Lionel Mandrake, the only person with access to the demented Gen. Ripper; U.S. President Merkin Muffley, whose best attempts to divert disaster depend on placating a drunken Soviet Permier and the former Nazi genious Dr. Strangelove, who concludes that "such a device would not be a practical deterrent for reasons which at this moment must be all too obvious". Will the bombers be stopped in time, or will General Jack Ripper succeed in destroying the world ? |
| CITY OF GOD |
| 040303 |
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| Youth gangs took over the slums of Rio de Janiero during the 1960s and didn't relinquish their stronghold until the mid-1980s. Only a sucker wouldn't have turned to crime and this is exactly how naive teen Rocket (Alexandre Rodrigues) views himself. His attempts in illegal activity fail as he finds potential victims too friendly. Equally unsuccessful in love, he regularly fails to lose his virginity. Blood spills throughout the streets of the Ciudad de Deus as gang leader Li'l Ze (Leandro Firmino da Hora) is challenged by local druglords and a gang of pre-teens known as the Runts. Rocket shoots all of this action with his weapon of choice, a camera. |
| TAXI DRIVER |
| 040303 |
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| Martin Scorsese's intense film, a hallmark of 1970s filmmaking, graphically depicts the tragic consequences of urban alienation when a New York City taxi driver goes on a murderous rampage against the pitiable denizens inhabiting the city's underbelly. For psychotic, pistol-packing Vietnam vet Travis Bickle (Robert De Niro), New York City seems like a circle of hell. Driving his cab each night through the bleak Manhattan streets, Bickle observes with fanatical loathing the sleazy lowlifes who comprise most of his fares. By day he haunts the porno theaters of 42nd Street, taking his cues from the violent vision of life portrayed in these movies. As badly as Travis wants to connect with the people around him--including Betsy (Cybill Shepherd), a lovely blonde campaign worker, and Iris (Jodie Foster), a prepubescent prostitute he tries to save--his attempts are thwarted and his pent-up rage grows, turning him into a Mohawk-wearing walking time bomb. Scorcese fills Paul Schrader's screenplay with a tragic realism, brilliantly capturing the muck and grime of New York City. De Niro, playing the fragile hero, steps so deep inside his role that the results are deeply frightening. Bernard Herrmann's haunting score--which turned out to be his last--completes the urban nightmare. |
| BEND IT LIKE BECKHAM |
| 041103 |
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| Like most everyone else in England, Jess Bahmra (Parminder Nagra) idolizes professional British football player David Beckham. But Jess is different from most fans; she's a talented player in her own right. Unfortunately, her traditional Indian parents (Anupam Kher and Shaheen Khan) have other plans for their youngest daughter. They expect Jess to follow in the footsteps of her sister, Pinky (Archie Panjabi), who is preparing to marry in a traditional Indian wedding. When Jess meets Jules (Keira Knightley), who plays for a local female football team, she pursues her own dream and begins to play, keeping her participation a secret from her parents and often leading to disastrous results. To complicate matters even more, both Jess and Jules are enamored with their coach, Joe (Jonathan Rhys Meyers). Ultimately, Jess has to decide whether to live life on her terms or act in accordance with her parents' wishes. This charming coming-of-age tale is also an intriguing look at Indian culture in England. Juliet Stevenson is superb as Jules' tarty, ultra-feminine mother. BEND IT LIKE BECKHAM is directed, written, and produced by Gurinder Chadha (BHAJI ON THE BEACH, WHAT'S COOKING?), and marks the first English feature film appearance from Bollywood icon Anupam Kher. |
| THE OTHER NETWORK |
| 041103 |
| a collection of failed television pilots from the likes of ben stiller, jack black, bob odenkirk, and more. if real television ever got this good, nobody would ever leave the house. -brian |
| MONTY PYTHON AND THE HOLY GRAIL |
| 041103 |
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| This classic Monty Python comedy, directed by Pythons Terry Gilliam and Terry Jones, is a hilarious send-up of the grim circumstances of the Middle Ages as told through the story of King Arthur and framed by a modern-day murder investigation. When the mythical king of the Britons leads his knights on a quest for the Holy Grail, they face a wide array of horrors, including a persistent Black Knight, a three-headed giant, a cadre of shrubbery-challenged knights, the perilous Castle Anthrax, a killer rabbit, a house of virgins, and a handful of rude Frenchmen. |
| SPIDER |
| 041803 |
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| Dennis Clegg is in his thirties and lives in a halfway house for the mentally ill in London. Dennis, nicknamed "Spider" by his mother has been institutionalized with acute schizophrenia for some 20 years. He has never truly recovered, however, and as the story progresses we vicariously experience his increasingly fragile grip on reality. |
| FAST TIMES AT RIDGEMONT HIGH |
| 042503 |
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| This highly appealing teen comedy created a host of new stars -- including Sean Penn -- and features a lively rock music soundtrack. The freewheeling story chronicles the sexual insecurities and adventures of a group of Southern California high school students. These shopping mall regulars experiment with drugs, surfing techniques and various fast-food secret sauce combinations. And in class (when they even go to class!) they wreak havoc -- especially when the pizza delivery arrives... |
| RIVERS AND TIDES |
| 042503 |
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| Andy Goldsworthy knows that most of his pieces will not last long because of where he makes them. Some of his works stand and remain in the landscape; others decay, melt or are blown away. His work's transitory nature, in fact, is a central part of the sculptor's creative efforts to understand the energy that flows through him and through the natural landscape that nourishes his vision. In this contemplative and beautifully insightful film, we see Goldsworthy as he works to understand that energetic flow, represented often by water, by wind or simply the passage of seasons. Both carefully composed and fluid, RIVERS AND TIDES keeps its focus on the artist's vision and work, giving us room to ponder our own relationship to the energy coursing through the natural world. |
| ALL THE REAL GIRLS |
| 042503 |
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| ALL THE REAL GIRLS is set in a small mill town that gets smaller and more run down with each passing year. Paul (Paul Schneider) has lived here all his life, never been out of the county. It's never really occurred to him. He lives a cozy, affectionate life with his mom, Elvira (Patricia Clarkson) and he works as a grease monkey for his uncle Leland (Benjamin Mouton). Charming in his way, he has a devoted circle of rowdy friends that he's known for ever -- Tip (Shea Whigham), the richest and most lawless of the bunch; Bo (Maurice Compte), a philosopher not interested in wasting his precious seed on the local girls; and Bust-Ass (Danny McBride), a goofball who is not the sharpest tool in the shed. It's a place of rednecks, mill hands, beer-slugging pontificators and fallen southern belles. |
| ADAPTATION |
| 050203 |
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| Following up their acclaimed debut, BEING JOHN MALKOVICH, screenwriter Charlie Kaufman and director Spike Jonze are back to metaphysical moviemaking with ADAPTATION. The film stars Nicolas Cage as both Charlie Kaufman himself and his fictionalized identical twin brother, Donald Kaufman. While the boisterous Donald freeloads off of his sibling and works on a serial-killer movie script, Charlie is tormented by both his own army of neuroses and his new project, adapting THE ORCHID THIEF by Susan Orlean into a screenplay. As Charlie struggles to shape the nonfiction novel into a film, he begins writing himself into the story of Orlean (Meryl Streep), a sad-eyed journalist, and her subject, renegade Florida flower expert John Laroche (Chris Cooper). The resulting tale extends far beyond the scope of the book, stretching from Hollywood to New York to...Hollywood four billion years ago. |
| THE MATRIX |
| 050903 |
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| Computer hacker Thomas Anderson has lived a relatively ordinary life--in what he thinks is the year 1999--until he is contacted by the enigmatic Morpheus who leads him into the real world. In reality, it is 200 years later, and the world has been laid waste and taken over by advanced artificial intelligence machines. The computers have created a false version of 20th-century life--the "Matrix"--to keep the human slaves satisfied, while the AI machines draw power from the humans. Anderson, pursued constantly by "Agents" (computers who take on human form and infiltrate the Matrix), is hailed as "The One" who will lead the humans to overthrow the machines and reclaim the Earth. |
| COWBOY BEBOP |
| 051603 |
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| Set on Mars in the year 2071, COWBOY BEBOP: THE MOVIE is based on the much-loved animated television series by Japanese director Shinichiro Watanabe. (The show airs on the Cartoon Network in the U.S.) As the film begins, Spike (Steven Jay Blum) and his gang of gypsy vigilantes are roaming the city, looking for trouble when Faye (Wendee Lee) witnesses a bioterrorist attack. Hovering above the city in her spaceship, she sees a man fleeing the scene. Over 500 people die in the attack, and the city offers a monetary reward for any information. The gang jumps at the opportunity. They decide to branch out, each using their own tactics to research the tragedy. Spike slinks through Chinatown, being led by shady underground characters. Faye traces the image of the man she saw back to military files. And the young Ed (Mellisa Fahn) and her dog Ein do some handy computer research. Meanwhile Jet (Beau Billinglsea), holds down the fort, worried about the gang. When the criminal Vincent (Daran Norris), is identified, with a connection to Spike's love interest Elektra (Jennifer Hale), the real action begins. |
| THE PRINCESS BRIDE |
| 052303 |
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| Director Rob Reiner breathes vividly colored cinematic life into William Goldman’s THE PRINCESS BRIDE, effectively evoking the wondrous, wide-eyed spirit of the witty 1973 novel. When a sick boy (Fred Savage) receives a visit from his doting grandfather (Peter Falk) who intends to read to him from his favorite book, he's not exactly pleased to be extracted from his world of video games. However, his mood quickly changes as he, along with the viewer, is transported to a place out of time--to Florin, a kingdom in the ultimate imaginary land, complete with dashing heroes, cowardly princes, rhyming giants, shrieking eels, rodents of unusual size, fancy swordfights, and yes...even some kissing. |
| LAUREL CANYON |
| 052303 |
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| Newly graduated psychiatrist Sam and his fiancee Alex move to Los Angeles for Sam's residency, into Sam's mother's house in upscale Laurel Canyon. Only problem is, Sam's mother is still there, supposedly finishing up a record that she's producing for the band of her new boy toy, Ian. She seems more interested in smoking pot and drinking than actually working, though. Alex doesn't mind, but Sam is quite upset. Alex starts off focused on her work (finishing a dissertation on genomics), but is soon distracted by the rock-'n-roll lifestyle going on around her. Meanwhile, Sam is equally distracted by beautiful Israeli intern Sara. |
| SPUN |
| 053003 |
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| For a speed freak, time is an elastic concept. College drop-out Ross (Jason Schwartzman) learns this first-hand as he surrenders to a three day odyssey through a circus-like, crystal-meth Hell in the North Los Angeles Valley. It starts when Ross shows up at Spider Mike's (John Leguizamo) dive bungalow, looking to score and desperate enough to risk Spider Mike's paranoid and mercurial temper. Spider Mike's companions at the bungalow that day include his greasy-haired, red-eyed girlfriend Cookie (Mena Suvari), the pimply, video game-addicted Frisbee (Patrick Fugit) and Nikki (Brittany Murphy), a giggly Vegas stripper, whose boyfriend The Cook (Mickey Rourke) concocts the local speed supply in his airless, combustible motel room laboratory. |
| RUSSIAN ARK |
| 053003 |
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| A visually hypnotizing cinematic feat, RUSSIAN ARK is Alexsandr Sokurov's spellbinding ode to St. Petersburg's State Hermitage Museum. Shot in one fluid take using High Definition video cameras, the photography floats and careens through the lavish corridors of the museum, examining its architectural details while following a dreamlike plot. A cast of 867 actors supply the action of the film, whether dancing the mazurka in a lively ballroom, performing a military salute, or watching a theater performance. The Marquis (Sergey Dreiden), an aged but limber European dressed in solid black, is the film's charismatic guide, leading the narrator--who is the unidentified voice behind the camera--through each doorway and into each gallery in a sweeping tour of the Hermitage. While the Marquis interacts with some of the guests, debating about Italian art with a couple of Russian scholars, delighting over rich paintings by Rubens and Van Dyck with an angelic blind woman, taking a lively brunette for a spin on the dance floor, others do not see him. Even the narrator suspects that the Marquis is a ghost, long dead and wandering the Hermitage in a quest to better understand history. Time periods, indicated by style of dress, fluctuate between the 1700s and the present. Famous Russian figures, such as Peter the Great, Nicholas I, and Catherine the Great appear and then disappear, with no explanation of their roles. Between the Marquis and the narrator, confusion reigns. They are spectators and trespassers in this mysterious space, trying to find their way. |
| THE GOOD THIEF |
| 060603 |
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| Set against the glitzy backdrop of the French Riviera, aging gambler Bob Montagnet is about to gamble it all on the casino heist of a lifetime; a spectatcular sleight of hand--two heists, one real, one not, but which is which? Under the watchful eye of Roger, a policeman who would as soon save his longtime opponent as arrest him, Montagnet assembles a team that consists of partners Paulo and Raoul, technical mastermind Vladimer, former-drug-dealer-turned-informant Said, Anne, a young Eastern girl Montagnet rescued from prostitution, and the perfect complement to a double theft--identical twins Albert and Bertram. |
| HOUSE OF 1000 CORPSES |
| 060603 |
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| An empty fuel tank and a flat tire lead two couples down a terror-riddled road to the House of 1000 Corpses. From the dark, demented mind of Rob Zombie comes House of 1000 Corpses, the shock rock master’s feature film directorial debut. Though created in the vein of the Creature Feature classic edge-of-your-seat horror flicks of yesterday, House of 1000 Corpses is at its core a story of family--a cast of twisted individuals who, with each slash of a throat or stab thru the chest, add bodies to their sick human menagerie. |
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| MAN ON THE TRAIN |
| 061303 |
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| In a sleepy French backwater, a train pulls into a deserted station, depositing a lone passenger: a grizzled man in a fringed leather jacket. He looks like a criminal, albeit an aging criminal, a man who has never before asked questions of life or made deep connections with anybody, arriving for a final showdown, and he is. But, within minutes, he bumps into a local retired poetry teacher in dapper clothes, a man who looks like someone waiting for something exciting to happen, who appears perfectly settled in his life, and he was.until now. Suddenly, these two disparate men are about to find, at the very end of the line, an unexpected friendship, an opportunity to look back on their dashed hopes, and a magical, momentary chance to explore the road not taken. |
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| VAMPIRE HUNTERS |
| 061303 |
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| In 19th century China, four martial arts students who are trained to battle zombies are sent by their master to battle the resurrected body of a dead general. But when their master is killed, they are sucked into a dangerous adventure involving thieves, stolen booty, and scores of kung-fu kicking bloodsuckers! This state-of-the-art martial arts horror epic was produced by Tsui Hark. |
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| THE DANCER UPSTAIRS |
| 062003 |
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| The directorial debut of John Malkovich, THE DANCER UPSTAIRS is a riveting political drama set in an undetermined Latin American city. A revolution has started, and the local police have been assigned to figure out who is leading it and what exactly the revolutionaries want. Agustin Rejas (Javier Bardem) is the detective leading the investigation. However, with the military involved and corrupt government officials making Rejas's job especially difficult, he faces constant frustrations. The leader of the revolution goes by the name Ezequiel, but the police cannot figure out his true identity. Even more beguiling are the increasingly violent terrorist incidents that appear to be carried out by children who swear their loyalty to Ezequiel with no explanation of why. Caught up in the middle of the revolution and Rejas's investigation are his wife, his young daughter, and his daughter's lovely ballet teacher, Yolanda (Laura Morante). One event after the next adds to the suspense and nagging anxiety felt by Rejas, until finally, with one shocking discovery, everything becomes frighteningly clear. |
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| LEVITY |
| 062003 |
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| Thornton stars as a man who is free after serving 19 years for killing a teenager during an attempted robbery. After nearly two decades of staring at his victim's face on a newspaper clipping in his cell, the paroled man attempts to find redemption, in the form of a mysterious minister (Freeman) and two needy women (Dunst and Hunter). |
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| SPELLBOUND |
| 062703 |
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| Jeff Blitz's Academy Award-nominated documentary is an affecting, inspiring look at eight American children as they make their way to compete in the 1999 National Spelling Bee in Washington D.C. Defying all stereotypes and categorizations, the spellers that Blitz chooses to focus on run the ethnic and socioeconomic gamut. Emily is from wealthy New Haven, Connecticut, while April, the daughter of a bar owner from Pennsylvania, spends her summers studying. Harry is an intense, quick-witted boy from New Jersey, while Ashley is the African-American daughter of a single Washington, D.C. mother. Gifted Florida resident Nupur is the daughter of Indian parents while Ted hails from a small Missouri town where physical prowess is prized over mental ability. The daughter of Mexican immigrant parents, driven Angela comes from Texas, and Neil is a well-prepared East Indian boy from the wealthy California coast. Blitz provides several minutes at home with each child before we accompany them to the National Bee, where we are swiftly reminded that only one of them has a shot at winning. As engrossing and emotional as the best fiction, one comes away from SPELLBOUND with the feeling that--whether victorious or not--the children whose tales it tells are walking into limitless futures. |
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| WHALE RIDER |
| 070203 |
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| On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny. |
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| OWNING MAHONEY |
| 071103 |
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| Brian Mahowny was a rising star at the Canadian Imperial Bank of Commerce. At twenty-four he was assistant manager of a major branch in the heart of Toronto's financial district. To his colleagues he was a workaholic. To his customers, he was astute, decisive and helpful. To his friends, he was a quiet, but humorous man who enjoyed watching sports on television. To his girlfriend, he was shy but engaging. None of them knew the other side of Brian Mahowny--the side that executed the largest single-handed bank fraud in Canadian history, grossing over $10 million in eighteen months to feed his gambling obsession. |
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| RAISING VICTOR VARGAS |
| 071803 |
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| Eager to protect his street-cred after his friends discover he's been sleeping with upstairs neighbour "Fat Donna" (DONNA MALDONADO), Victor sets out to nab a new girl. Much to her annoyance, popular "Juicy Judy" Ramirez (JUDY MARTE) finds herself the object of Victor's relentless attention. After a humiliating series of public rejections, Victor strikes a bargain with Judy's younger brother Carlos (WILFREE VASQUEZ). In exchange for a date with Victor's younger sister, Vicky, Carlos will help Victor win Judy's affections. His plan proves successful and Judy agrees to tolerate him as "her new man," securing Victor's place high atop the neighbourhood's social pecking order. |
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| NOWHERE IN AFRICA |
| 072503 |
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| A Jewish family in Germany emigrate short before the Second World War. They move to Kenya to start running a farm, but not all members of the family come to an arrangement with their new life. Shortly after their departure, things are changing in Germany very quickly, and a turning back seems impossible. So everyone has to arrange himself with the new life in a new continent. |
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| RESPIRO |
| 080103 |
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| On Lampedusa, an island near western Sicily, rival boy gangs play roughly among seaside cliffs. Husbands go out to sea and wives work in the fish-packing plant. Pleasures are simple and fun is restricted to Saturday nights. The reality for all who live on Lampedusa is that island life can be as cruel as it is heartwarming, as suffocating as it is charming. Grazia is the affectionate, young mother of three children--a teenaged girl, Marinella, and two boys, Pasquale and Filippo. Vibrant and full of life, Grazia often sings along to the latest hit by Italian pop star Patti Pravo and enjoys finding ways to amuse herself and her children. But Grazia, much like the sea surrounding her island, can also be unpredictable and stormy. Her free-spirited attitude causes talk in the entire village. Grazia’s husband, Pietro, lovingly stands by her in the face of small town gossip. But as Grazia’s behavior becomes more reckless, even the powerful shield of her family’s love can’t protect her. Her husband’s relatives become convinced that she is seriously unstable and decide that she needs medical treatment in Milan. But Grazia will have no part of this and her son Pasquale finds a way to protect her and the bond that she shares with her family. |
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| L'AUBERGE ESPAGNOLE |
| 080803 |
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| A fresh comedy from the new Europe, L'AUBERGE ESPAGNOLE is the story of a young man who, through cosmopolitan adventures and comic tribulations, finds his own unexpected place in a mixed-up, multi-cultural modern world. Bursting with energy, optimism and cinematic invention, the film was a runaway box-office hit in France and an award winner at festivals across the globe, ultimately garnering France's Oscar equivalent, the César, in the category of Best Female Newcomer for Cécile De France and receiving five César nominations including Best Film, Best Director, Best Writing, Best Editing and Best Supporting Actress for Judith Godrèche. |
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| WINGED MIGRATION |
| 081503 |
|
| The chronicle of this population with whom we share the earth, since not so long ago, the sky, will rumble with a multitude of sounds which nature conceals. The words of a commentary will not distract the emotion. Songs and calls of birds, whispers of the wind in hollows, swell of the high seas, will blend with the accents of original instrumental music. Added to this highly poetic and spectacular fresco, the innumerable pranks which the birds play among themselves will from time to time bring a burlesque note. |
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| SWIMMING POOL |
| 090503 |
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| Sarah Morton (Charlotte Rampling) is a famous British mystery author. Tired of London and seeking inspiration for her new novel, she accepts an offer from her publisher John Bosload (Charles Dance) to stay at his home in Lubéron, in the South of France. It is the off-season, and Sarah finds that the beautiful country locale and unhurried pace is just the tonic for her – until late one night, when John’s indolent and insouciant French daughter Julie (Ludivine Sagnier) unexpectedly arrives. Sarah’s prim and steely English reserve is jarred by Julie’s reckless, sexually charged lifestyle. Their interactions set off an increasingly unsettling series of events, as Sarah’s creative process and a possible real-life murder begin to blend dangerously together. |
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| DIRTY PRETTY THINGS |
| 091203 |
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| Chiwetel Ejiofor gives a remarkably understated performance in director Stephen Frears's offbeat and gripping drama DIRTY PRETTY THINGS. Ejiofor stars as Okwe, a Nigerian who is trying to make a new life for himself in London, where he works days as a taxi driver and nights as a hotel desk receptionist. When he discovers a human heart in a hotel-room bathroom, he cannot go to the police because he is an illegal alien with a mysterious past that he refuses to talk about. Suddenly he is thrust into the middle of a dangerous situation that threatens to have tragic results for him and those around him. French ingenue Audrey Tautou costars as a Turkish woman who has sought asylum in England, where she is allowed to live but not work. But she must make money, so she works secretly while the government tries to catch her. Benedict Wong turns in a fine supporting performance as Guo Yi, a morgue employee who shares wise and humorous sayings with Okwe, and Sergi Lopez is absolutely chilling as the amorally opportunistic hotel manager. Frears directs the unusual proceedings with a deft hand, slowly revealing secrets that are as gruesome as they are poignant. |
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| CREATURE FROM THE BLACK LAGOON 3D |
| 091903 |
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| A research team digging in the Amazon comes across the fossilized hand of a human fish creature. That night, the creature emerges from the swamp to kill. So begins one of the more recognizable classics of the science fiction and horror genres. Shot originally in 3-D, this has been a late-night TV hit for decades. The hand makes its way back to the oceanographic institute and soon conscientious scientist David Reed (Richard Carlson), greedy scientist Mark (Richard Cunha) and the beautiful girl they fight over, Kay (Julia Adams) are heading up the Amazon to find more fossils. Instead, of course, they run into the real thing, and terror begins. While Mark and David fight over what to do next, the creature falls in love with Kay, and makes plans of his own. Island diver Ricou Browning plays the creature in the spectacular underwater scenes, the highlight being a beautifully creepy scene of Kay going for a swim, while the smitten creature swims along below her, transfixed. The pounding, horrific score is credited to conductor Joseph Gerhsenson but was actually written by a team of composers, including Henry Mancini. |
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| LEGEND OF SURIYOTHAI |
| 091903 |
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| The film describes historical events in the life of the heroine, Suriyothai, the queen of King Mahachakrapat. from the age of 15, ranging from love and attachment, royal wedding, resettlement in the capital, court life, intrigues, and sustenance of royal dignity. |
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| THIRTEEN |
| 092603 |
|
| THIRTEEN is Catherine Hardwicke's explosive portrait of teenage girls at their very worst. Mean, manipulative, conniving, and utterly out of control, these skinny, sexy, drug-addicted, 13-year-old time bombs are nothing short of terrifying. Hardwicke's movie is brilliant in its ability to portray this phenomenon, which comes off as very real. The skillful photography from cinematographer Elliot Davis communicates the most complicated themes of the film: insecurity, confusion, wanting to be liked and accepted, and feeling like it's time to grow up fast. In an early scene, protagonist Tracy (Evan Rachel Wood), a shy girl and good student, approaches Evie (Nikki Reed), the school's ultra-popular bad girl, and the two size up each other's clothing, jewelry, hair, shoes, socks, and decide to go on a shopping spree. From there Tracy spirals downward, copying Evie's every move in an aggressive game of daring each other to take increasingly dangerous risks--stealing, getting piercings, experimenting with sex, drinking and taking drugs, and much more. All the while Tracy's mom (Holly Hunter) who is a bohemian ex-alcoholic trying to be open-minded and supportive about her daughter's rebellion, slowly loses her authority and her ability to cope with these volatile teens. A booming, excellent soundtrack punctuates the hyper, desperate, manic mood of the girls' behavior, and catalyzes the adrenaline rush that is THIRTEEN. |
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| 28 DAYS LATER |
| 100303 |
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| Jim wakes up from a coma in a London hospital to find the hospital deserted - and the rest of London as well. By degrees he comes to learn that in the past 28 days, a blood-borne virus has been released from a research facility and swept across England, Paris and New York, killing many and turning most into murderous zombies. After coming across a handful of uninfected people, Jim and his companions go to Manchester, where they hear the uninfected are gathering. But they have more on their hands than just zombies... |
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| MAGDELENE SISTERS |
| 100303 |
|
| MAGDALENE SISTERS is based on real events that took place in Ireland from the 1960s until 1996 when an estimated 30,000 young women, considered by their families to have committed sexual sins, were sent away from their homes to earn penitence working in profit-making laundries run by the Sisters of Magdalene Order. However, the acts the girls committed to have been sent to these miserable prisons were clearly not punishable. What's worse, the nuns were cruel money grubbers who worked the girls to the point of exhaustion, and used poor living conditions and psychological abuse to break and brainwash the girls into subservience. The awful treatment the nuns gave these innocent young women was terrifying, and the ways the girls suffered were utterly disturbing. |
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| MASKED AND ANONYMOUS |
| 101003 |
|
| Set somewhere, sometime, in an unnamed country, torn by civil war with unclear battle lines or ideology, Masked and Anonymous tells the story of a "benefit concert." Impressario Uncle Sweetheart (John Goodman) is scheming to find a headliner for this event whose purpose is unclear and whose charity is its promoter's pockets. Nina Veronica (Jessica Lange) is the veteran TV producer whose job it is to make the concert the international spectacle which it can never be. And when Sweetheart manages to get the iconic cult star Jack Fate (Dylan, in a wonderfully taciturn performance) released from prison, the stage is set for tumult. Jeff Bridges as the cynical investigative reporter, Penelope Cruz as his girlfriend, Luke Wilson as the devoted acolyte, and a sundry cast of supporting characters give this imaginative allegory its energy and spirit. Masked and Anonymous is part cartoon, part deconstruction, and all creative vision. |
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| AMERICAN SPLENDOR |
| 101703 |
|
| Cleveland native, V.A. hospital file clerk, and hilariously grumpy observer of life’s strange and unpredictable pageant. A comic book writer who writes about his everyday life as an omnivorous reader, jazz lover, obsessive-compulsive collector, and lousy housekeeper. A prickly poet of the mundane who knows that all the strategizing in the world can't save a guy from choosing the wrong supermarket checkout line. Before camcorders, before Webcams, before nonstop reality TV, there was Harvey Pekar and his homegrown autobiographical comic book series "American Splendor." Since 1976, the pages of "American Splendor" have found Harvey puzzling, fuming, and marveling over the minutiae of his day-to-day existence. No experience is too ordinary, no thought too incorrect for him to gnaw over in his funny, candid and utterly humane stories. Bringing his own brand of bravery to comic books, Harvey Pekar expresses what so many of us think and feel, but only dream of saying – and he never, ever holds back. |
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| NORTHFORK |
| 102403 |
|
| In a near-empty Northfork orphanage, Father Harlan gently tends to Irwin, a comatose eight-year-old who lies near death. As orphanage caretaker Harlan reads aloud about Northfork's years-ago forced evacuation to make way for a hydro-electric dam, Irwin's imagination takes flight. In his subconscious, characters from the history of Northfork's dam come to life, helping to prepare Irwin as he struggles to come to terms with his own impending evacuation. |
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| WONDERLAND |
| 102403 |
|
| On the afternoon of July 1, 1981, Los Angeles police responded to a distress call at 8763 Wonderland Avenue in Laurel Canyon and discovered a grisly quadruple homicide. Ron Launius (Lucas), Billy Deverell (Nelson), Barbara Richardson (Wagner) and Joy Miller (Garofalo) were found brutally murdered, bludgeoned to death with a pipe, and Launius's wife, Susan (Applegate), was left in critical condition. The police investigation that followed--led by detectives Sam Nico (Levine), Louis Cruz (Frankie G. ) and Mike Peters (Gainey) --would unearth a seedy world of drugs and violence, ultimately revealing a motley crew from L. A. 's underbelly including ex-con David Lind (McDermott), nightclub impresario Eddie Nash (Bogosian), and porn legend John Holmes (Kilmer) as well as Holmes's estranged wife Sharon (Kudrow) and his teenage lover Dawn Schiller (Bosworth). |
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| THE SECRET LIVES OF DENTISTS |
| 103103 |
|
| Hope Davis and Campbell Scott play married dentists in this insightful dramatic comedy from director Alan Rudolph (AFTERGLOW, DOROTHY PARKER AND THE VICIOUS CIRCLE). Based on the novel THE AGE OF GRIEF by Jane Smiley, the story begins with husband David's suspicion that his wife (and mother of their three adorable daughters) is having an affair. The details of their family life and David's mounting suspicion are brilliantly evoked via overlapping dialogue, great editing, and masterful camerawork. David's jealous mind soars onto some hilarious flights of fancy and eventually caustic comedian Denis Leary turns up as his cigar-smoking alter-ego, expressing all the independent and antisocial traits David has tried so long to repress for the sake of his family. All of this culminates in a hilarious yet harrowing week when the family is hit by a flu virus. |
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| ONCE UPON A TIME IN THE MIDLANDS |
| 103103 |
|
| A British family drama with a Western flare, ONCE UPON A TIME IN THE MIDLANDS starts out as a chaotic comedy of familial dysfunction and then changes into an emotional tale of love and loss. At the story's core is a love triangle between Shirley (Shirley Henderson), her nerdy boyfriend Dek (Rhys Ifans), and the bad seed Jimmy (Robert Carlyle). Jimmy abandoned Shirley and her daughter Marlene (Finn Atkins) years ago, but has returned to win them back. A motley pseudo-family, Shirley, Dek, and Marlene live in the Midlands area of England. Next door, the outspoken Carol (Kathy Burke) lives with her cowboy husband Charlie (Ricky Tomlinson), and their two young sons, along with Carol's teenage daughter Donna (Kelly Thresher) and Donna's boyfriend Donut (Andrew Shim). Jimmy is Carol's selfish brother who slinks back into town with a gang of Scottish thugs in tow, throwing the whole group into flux. With some hilarious comedic interludes provided by the loveable Dek, and the humdrum yet happy lives of this makeshift family proving the power of togetherness, ONCE UPON A TIME IN THE MIDLANDS is an entertaining, at times heartrending family story from writer-director Shane Meadows. |
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| THE WEATHER UNDERGROUND |
| 103103 |
|
| This intensely captivating documentary from directors Bill Siegel and Sam Green focuses on the radical political activist group the Weathermen, who organized in the 1960s to protest the Vietnam War. With roots in a group called Students for a Democratic Society (SDS), the Weathermen represented a small faction of political-minded protesters who believed that in order to avoid being marginalized and ignored by the U.S. government, they would need to take violent action. Speaking out with clear goals to intentionally inflict violence, their slogan was "Bring the War Home," indicating that they would mimic on the U.S.'s home turf the violence that U.S. troops were ordered to carry out in Vietnam. They organized bombings--sometimes botching their plans horribly and causing unintended casualties--that put them on the Most Wanted list of the FBI. In turn, they split up and went underground, trying to avoid persecution while continuing to plan violent protests. While THE WEATHER UNDERGROUND takes a fascinating look at this group, its wildly daring tactics and philosophies, and its dedication to making a change; it also comments on the group's failures and its irresponsible methods. Some of the most revelatory moments of the film come from other political activist groups, such as the Black Panthers, reflecting back on the actions of the Weathermen, and, in hindsight, looking at the group's practices with new perspective. |
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| BUBBA HO TEP |
| 110703 |
|
| Based on the Bram Stoker Award nominee short story by cult author Joe R. Lansdale, Bubba Ho-tep tells the "true" story of what really did become of Elvis Presley. We find Elvis (Bruce Campbell) as an elderly resident in an East Texas rest home, who switched identities with an Elvis impersonator years before his "death", then missed his chance to switch back. Elvis teams up with Jack (Ossie Davis), a fellow nursing home resident who thinks that he is actually President John F. Kennedy, and the two valiant old codgers sally forth to battle an evil Egyptian entity who has chosen their long-term care facility as his happy hunting grounds. |
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| STEALING TIME |
| 110703 |
| locally directed and shot film! |
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| CAPTURING THE FRIEDMANS |
| 110703 |
|
| Watching Andrew Jarecki's riveting non-fiction drama is like watching a slow-motion replay of a multi-car pileup; you know it's headed for disaster, but there's no way you can stop watching. On the surface, the Friedmans were a typical 1980s American family. Living in Great Neck, Long Island, Arnold was a well-respected teacher, Elaine was a dedicated mother, and their children Seth, Jesse, and David were model students. But one Thanksgiving, that happy façade came to a crashing halt. After the local police discovered Arnold had engaged in the buying and selling of child pornography, they questioned several students who attended his computer classes in the Friedman basement. What they revealed would shock the community, and destroy the Friedman family forever. The subsequent investigation and trial uncovered even deeper hidden secrets at an alarming rate, creating a rift between Arnold and Elaine that would never be reconciled. Jarecki uses present day interviews with Elaine, Jesse, and David, as well as Arnold's brother Howard, to provide some sort of insight on the situation, but it backfires, for everyone has a different story to tell. And then there is actual home video footage of the family in the midst of the hurricane, which gives the film an eerie, voyeuristic charge. |
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| THE ANIMATION SHOW |
| 111403 |
|
| The Animation Show is an international collection of the world's best animated short films, programmed by co-producers Mike Judge and Don Hertzfeldt. The Show's annual goal is to bring animated shorts into more proper theaters than any other program in American history. This first year's lineup includes several international Academy Award nominees, rare material from Disney, never before seen animation from Hertzfeldt and Judge, and many other surprises. |
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| SHATTERED GLASS |
| 112103 |
|
| Shattered Glass stars Hayden Christensen as Stephen Glass, a staff writer for the respected current events and policy magazine The New Republic and a freelance feature writer for publications such as Rolling Stone, Harper's and George. By the mid-90s, Glass' articles had turned him into one of the most sought-after young journalists in Washington, but a bizarre chain of events - chronicled in Buzz Bissinger's September, 1998 Vanity Fair article upon which "Shattered Glass" is based - suddenly stopped his career in its tracks. "Shattered Glass" is a study of a very talented - and at the same time very flawed - character. It is also a look inside our culture's noblest profession, one that protects our most precious freedoms by revealing the truth, and what happens when our trust in that profession is called into question. |
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| THE STATION AGENT |
| 112603 |
|
| When his friend and coworker suddenly dies, train enthusiast Finbar McBride (Peter Dinklage) inherits an abandoned railway station in rural New Jersey. A dwarf who avoids social contact whenever possible, Fin treks out to the property and moves in. However, his newly isolated life is disrupted by Joe (Bobby Cannavale), the outgoing operator of a roadside refreshment stand, and Olivia (Patricia Clarkson), a reclusive artist who is grieving the loss of her son. As Joe and Olivia slowly bring Fin out of his shell, all three people are affected by their newfound friendships. |
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| SYLVIA |
| 120503 |
|
| Talented but plagued by her owns demons Sylvia Plath's early relationship with husband and fellow poet, Ted Hughes, is dominated by Ted's ambition and success. In the early years of their marriage Sylvia lacks inspiration and increasingly senses Ted's infidelity. The unspoken question is whether Ted's extra-marital affairs are the result of Sylvia's own insecurities or whether Sylvia's deepening depression is exacerbated by her husbands philandering. It is only towards the end, when they are separated, that Sylvia is able to truly explore the dark depths of her soul and write the searingly brilliant poetry that earned her fame. |
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| THE SINGING DETECTIVE |
| 120503 |
|
| While hospitalized with an extreme case of psoriasis, novelist Dan Dark (Downey Jr.) reworks his first book in his head. Feverish, paranoid and prone to musical outbreaks, he confuses himself with the his protagonist, a detective investigating the muder of a prostitute in 1950s Los Angeles. |
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| ELEPHANT |
| 121203 |
|
| Throughout his career, from Mala Noche and My Own Private Idaho through Good Will Hunting and Finding Forrester, Van Sant has explored what it is to be young and searching for a place in the world, an identity that feels true. With Elephant, Van Sant takes these inquiries into new terrain, working with actual high school students to create a portrait of teenagers in today’s volatile world. Elephant unfolds on an ordinary day, filled with class work, football, gossip and socializing. The film observes the comings and goings of its characters from a gentle remove, allowing us to see them as they are. For each of the students we meet, high school is a different experience: stimulating, friendly, traumatic, lonely, hard. Beautiful and poetic – yet deeply disturbing - Elephant shows high school life as a complex landscape where the vitality and incandescent beauty of young lives can shift from light to darkness with surreal speed. |
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| MY LIFE WITHOUT ME |
| 121203 |
|
| Ann is 23, she has 2 daughters, a husband who spends more time unemployed than working, a mother who hates the world, a father who has spent the last ten years in jail, a strange predilection for the audio-books of soap operas and a job as a night janitor in a university she could never go to in the dayime. They live in a trailer on the yard of her mother’s house, on the outskirts of Vancouver. However, this gray existence changes completely when, after a medical check-up, a shy doctor tells her that she has very little time left, hardly two months to live. Ann decides to keep her condition a secret, not to tell anybody, not even her husband. She doesn't want people around her with long faces mumbling the word "death." She starts to make a list of "things to do before dying" which she completes little by little. The list goes from "saying exactly what I think" to "getting fake fingernails." Unexpectedly, Ann discovers an appetite for life that drives her to live her last days with a sensual and furious intensity she had not known before. During that time she prepares her daughters life without her, meets a solitary wounded man who she seduces (and paradoxically brings back to life), and faces what remains of her life with a courage she never knew she had. |
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| IN AMERICA |
| 122403 |
|
| Intimately told by their 11-year-old daughter Christy (Sarah Bolger), a child wise beyond her years, is a coming of age story about an Irish couple (Samantha Morton, Paddy Considine) trying to find their way IN AMERICA. To Christy and her younger sister Ariel (played by real life sister Emma Bolger), America is a place of magic where anything is possible. To their parents, it represents a place to begin anew. Carried by the girls' youthful hope and faith, the family finds the heart to live and love again. Together they find home. IN AMERICA is directed by Jim Sheridan (MY LEFT FOOT, IN THE NAME OF THE FATHER) who co-wrote the original screenplay with his filmmaker daughters Naomi and Kirsten Sheridan. |
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| 21 GRAMS |
| 122603 |
 |
| This is the story of three gentle persons: Paul Rivers (Penn) an ailing mathematician lovelessly married to an English emigré (Gainsbourg), Christina Peck, an upper-middle-class suburban housewife, happily married and mother of two little girls, and Jack Jordan (Del Toro), an ex-convict who has found in his Christian faith the strenght to raise a family. They will be brought together by a terrible accident that will change their lives. By the final frame, none of them will be the same as they will learn harsh truths about love, faith, courage, desire and guilt, and how chance can change our worlds irretrievably, forever. |